Leading up to the shoot, we’ll work closely with LGA to hone in even deeper into the aesthetic and goals that have been established to become more of one mind to best articulate that into the end result. Once a preliminary group of possible subjects have been sourced by client/agency, we’ll work with LGA to filter these selects down to a finer sample size based on pre-interviews. Once final selections are made, our team will work to develop story outlines for each of the subjects to help guide our interviews in the studio. Of course, we won’t be able to anticipate every response we’ll get, but these outlines will help everyone feel aligned at the types of responses we’re hoping for.
Following the shoot, we had a pretty good idea for how each of these stories needed to go, so we were able to get the edits turned around fairly quickly. From there we got the illustrators and animators to work on designing, laying out, and animating the illustration components. We knew we’d need a bit more time allotted to this stage of the process as this campaign had a pretty unique visual box it was working within.
Once we were all happy with where we landed, we composited the animations into the scenes and finished things up with color & sound design.